Famous British director Joe Wright is well-known for helming highly regarded movies like "Atonement" and "Darkest Hour." Throughout his career, he has addressed a wide range of difficult subjects, frequently bringing his tales to a tragic or bittersweet close. But with regard to "Pride," Wright had a revelation regarding the significance of happy endings.

The touching story "Pride" is based on actual events that happened in Britain in the 1980s, when a group of LGBTQ+ working-class activists raised money for miners who were impacted by a strike. The narrative celebrates the victory of human compassion and unity in addition to bringing attention to the social and political issues of the day.

At first, Wright wasn't convinced that his movies should have happy endings. He thought that movies should more accurately depict the intricacies and hardships of real life, and he saw them as being overly simplistic or avoiding reality. However, "Pride" completely altered his viewpoint. The film's positive message of acceptance and community support struck a deep chord with viewers and had a long-lasting effect on Wright.

Wright realized that happy endings fulfill viewers' wishes and are more than just satisfying conclusions. In a world that is frequently chaotic, they provide consolation, hope, and closure. In a sense, happy endings are like a bright day following a protracted period of rain; they make people smile and serve as a reminder of the beauty and potential of life.

This change in Wright's perspective emphasizes the value of narrative that strikes a balance between optimism and realism. It implies that providing moments of hope and fulfillment is just as important for cultural and emotional well-being as portraying harsh realities.