German bassist and composer Eberhard Weber is well-known for his substantial contributions to jazz music. He is renowned for his avant-garde approach to composition and performance, creatively fusing jazz and classical elements.

Weber discussed in an interview the difficulties musicians encounter when attempting to introduce novel musical concepts into conventional orchestral contexts. He pointed out that orchestras may find it difficult to adapt to the improvised and spontaneous style of jazz because they are used to a particular kind of music. Because of this, performing intricate arrangements without a lot of practice and planning may be challenging.

Synthesizers and samplers, electronic devices that can generate a variety of sounds and tones, were Weber's answer. He was able to experiment more freely and effectively thanks to these tools, avoiding the lengthy rehearsal process orchestras need when working with unusual music.

It would be like trying to fit a square peg into a round hole if you tried to play a jazz piece on a grand piano made for classical music. In a similar vein, modern jazz's diversity and unpredictability can sometimes be too much for traditional instruments to handle.

Weber's method emphasizes how crucial flexibility is to music. He created new avenues for composition and expression by embracing technology. This progressive mindset has contributed to pushing the limits of what is deemed feasible in the fields of recording and performing music.