From 1887 until 1965, Le Corbusier, a well-known Swiss-French architect and urban planner, lived. In addition to being an innovator, he was also a philosopher who was always investigating the relationship between architecture and nature and society. The idea that architecture is like a game—a meticulously designed one where shapes and spaces come together under the guidance of light—is among his most profound concepts.

Consider a painter carefully applying hues to a canvas to produce a visually pleasing image. Le Corbusier also viewed architects as participants in an intellectual game. The objective is to create structures that are both aesthetically pleasing and useful by carefully placing components like windows, floors, and walls. Similar to how the right amount of light can bring out the beauty of a painting, light is essential to architecture because it defines the character of spaces and illuminates them.

According to Le Corbusier, mastery of this architectural game necessitated knowledge and discipline. The years of study and practice an architect goes through to grasp the fundamentals of materials, structural principles, and aesthetic theories are referred to as the "learned" part. But in spite of its intricacy, he thought it was something great since it could influence our living spaces in a way that was both useful and inspiring.

Every building, in his opinion, ought to be more than just a place to live; it ought to improve people's lives via its architecture and use of natural light. Architects can create structures that are not only technically sound but also inspire and delight people through their design and placement in the world by knowing how to creatively work within these limitations.

Le Corbusier promoted this notion of architecture as a noble endeavor where beauty and intelligence coexist under the gentle guidance of sunlight through his writings and projects. Modern architects are still motivated by his legacy to find fresh approaches to playing this learned game with honor and dignity.