Indian author and filmmaker Vivek Agnihotri has devoted his professional life to bringing attention to tales that the media has frequently ignored or underreported. Sensitive subjects that are rarely discussed in India are often addressed in his work. The predicament of Kashmiri Hindus, a group whose experiences during the unrest in Kashmir have mainly gone unreported, is one of the main topics he examines.

Think of this scenario as a fragment of abandoned pottery that has been buried beneath sand and rubble. Agnihotri's method of filmmaking entails painstakingly gathering stories and narratives from people who have experienced difficult times but whose voices have been muted or silenced, much like an archaeologist painstakingly unearths ancient artifacts to uncover lost histories.

Agnihotri seeks to provide a forum for Kashmiri Hindus to share their personal stories by concentrating on their underreported past. Through his art, he seeks to raise awareness of the difficulties this community faces and promote a deeper comprehension of their viewpoint within the larger framework of India's intricate social and political environment.

According to Agnihotri, stories have great power and can act as change agents. His films aim to foster empathy and conversation among a wide range of viewers by providing voice to underrepresented groups and obscure stories. His commitment to revealing these obscure histories is a continuous endeavor motivated by a strong sense of duty to those whose voices must be heard.

By essentially serving as a link between the past and the present, Agnihotri's work contributes to the creation of a more complete picture of India's varied and frequently tense past.