Renowned screenwriter and film critic Eric Johnson frequently discusses the relationship between actors and directors in the entertainment business. He pointed out in one of his observations that actors don't always see themselves as creative beings with their own ideas and autonomy, but rather as performers awaiting approval.

Johnson's perspective is influenced by his work in Hollywood and his observations of the relationships among members of the film industry. He observed that many actors adopt a mindset that prioritizes meeting the director's expectations or the expectations outlined in the script over pursuing their own creative interests. Since the actor is the child and the director is the parent, this dynamic can be compared to young children eagerly awaiting their parents' approval after finishing a task.

Johnson's assertion is based on the theory that actors may become less willing to express their own original ideas or take creative chances if they are unduly preoccupied with winning over directors or producers. This may hinder their development as artists and prevent them from giving more creative and dynamic performances in movies.

Johnson's observation prompts a reconsideration of the ways in which power relations in the filmmaking process impact the artistic process. It implies that creating an atmosphere in which performers are encouraged to use their creativity may result in more nuanced, genuine on-screen performances.