Renowned director Christopher Nolan is well-known for his complex narratives and penchant for real effects rather than computer-generated ones. He has frequently discussed the value of physical components in filmmaking, especially in relation to how viewers perceive films.

Nolan's sentiment is based on his conviction that physically projected film, particularly anamorphic prints or IMAX formats, has a unique quality. An image is compressed horizontally and then enlarged on screen using a specialized lens to create anamorphic prints, a particular kind of film format that produces richer visual texture and more vivid colors.

Consider that you have two photos: one that was developed from conventional film negatives and the other that was taken with your smartphone. Even though they both depict a scene or moment, the latter seems to captivate you more because of something intangible. This is the impression that Nolan has of film prints as opposed to digital projections. According to him, the physicality of film—its texture and grain—brings a level of realism and complexity to the viewing experience.

This goes beyond Nolan's taste in aesthetics; it also has to do with how he wants his audience to interact with his movies. Because it takes more technical expertise to shoot and project properly, traditional film, in his opinion, is more immersive because it creates a richer visual experience that can immerse viewers in the film's world in a way that digital media just cannot.

Nolan's opinions are representative of a larger discussion about the future of film in the industry. Nolan is unwavering in his conviction that the tactile aspect of film improves storytelling and establishes a deeper connection with viewers, even though many filmmakers are adopting new technologies for their adaptability and convenience.