A well-known director in the movie business, James Wan is well-known for his work on "The Conjuring" and "Aquaman" franchises. He frequently talks about his love of various animation styles. James Wan has a particular place in his heart for cel animation, computer animation, and most notably, stop-motion animation, just as an artist may have preferences for different media like watercolor or oil.

By drawing individual frames on transparent sheets known as cels, cel animation produces the appearance of movement when rapidly flipped through. In contrast, computer animation makes extensive use of digital software to make scenes and characters come to life. Both methods are frequently employed in modern filmmaking due to their adaptability and capacity to yield visually striking outcomes.

But James Wan's appreciation of stop-motion animation extends beyond its technical skill. In the time-consuming process of stop-motion, objects—typically puppets or models—are physically moved in tiny increments between separately captured frames. These inanimate objects appear to move and have life when the sequence of frames is replayed at standard speed.

This method is similar to constructing a sandcastle on a windy beach: each grain of sand is carefully placed despite ongoing difficulties. Like an artist pouring their heart into every brushstroke despite unavoidable challenges, each stop-motion animation frame carries a level of detail and craftsmanship that reflects the passion of its creators.

James Wan's admiration for this type of art shows that he recognizes and values the commitment needed to create such visually striking narratives. It's not just about making something lovely or entertaining; it's also about using a distinctive storytelling technique that, with meticulous work and imagination, can arouse powerful emotions.