After September 11th, Indian actor and film critic Puneet Issar made a noteworthy observation regarding how Muslims were portrayed in movies. He observed that the majority of films about this era frequently portrayed Muslim communities as victims rather than offenders. This viewpoint is significant because it provides a sophisticated comprehension of the ways in which various cultural narratives can influence our perceptions.

Issar's remark particularly alludes to the 2010 film "My Name Is Khan," which tackles post-9/11 problems for Muslims from their own perspective. He also cites other movies, such as "Kurbaan," "Khuda Kay Liye," and "New York," which explores Muslim experiences following the terrorist attacks. These films all tell the tales of people entangled in a convoluted web of discrimination and misinterpretation.

Issar's statement can be better understood by comparing it to examining a painting from several perspectives. We lose sight of the whole picture when we only look at a scene through one lens, such as concentrating only on how terrorism affects victims. In a similar vein, films that depict the mistreatment of Muslim communities give audiences a chance to relate to and comprehend the difficulties encountered by people who are frequently unjustly stereotyped or defamed.

Instead of depending on one-sided narratives, Issar's insight inspires both audiences and filmmakers to look for more balanced representations that incorporate a variety of viewpoints. Similar to how a painter might add various hues and shades to enhance a painting, including a variety of perspectives deepens our comprehension of difficult subjects like those pertaining to religious communities in the wake of 9/11.